Dave Margoshes
Dave Margoshes lives in Regina. His stories and poems have been widely published in literary magazines and anthologies throughout North America. His book, Bix's Trumpet and Other Stories, was named Book of the Year at the 2007 Saskatchewan Book Awards. A new collection of poetry, The Horse Knows the Way, has just appeared from Buschek Books and is short-listed for two of the 2009 Saskatchewan Book Awards. Several of the following poems will appear in Dimensions of an Orchard, due out next spring from Black Moss.
High wire act See this high wire, this tight rope? They string it between then and now, grease it good, dare you to step out, shred the net, set up wind machines, start the lions roaring, spread shattered glass below, and that's all just for openers. Then they tell ya stay home, you got nuthin' to prove. Worm's eye view A world, spinning through clouds insubstantial as your breath on a morning in January. On the world, puddles of cobalt, islands of emerald, cinnamon, ivory. On this island, hills, mountains, forests, plains, meadows. At the edge of this meadow, a tree, American elm, gritting its teeth against the remorseless stare of the beetle, its arms raised in resignation. In the crook of one branch, a nest, a whorl of grass, earth, twigs, a frightwig. In this tangle, a bird, its breast raging, its eye vivid. In the beak of the bird, a worm, more resigned than even the tree. In the eye of the worm, a world, spinning through insubstantial cloud. Armstrong's foot Blake's fearsome tyger stuffed and raffled off on the midway, Jonah's whale a cartoon pitch for tuna, the snake in the garden just a torn strip of inner tube after all, the moon when Armstrong's foot left its mark nothing more than the green cheese my grannie always said it would be, cheese filled with holes. In love with decay I stood in line at the Safeway, my basket laden with rotting fruit. There were cherries glutinous in their sugared blood, blueberries marbled with sepulchral mould, molten strawberries laced with slime and fragrant as sulfur, peaches and plums all softboiled eggs, all puppy belly. A woman in a flowered dress and cheeks rosy as a newborn's turned away, holding her nose, but the checkout clerk looked through me, saw that I was in love with decay, with the rapture of destruction. Gently, she placed my purchases in a paper bag she drew from under the till, jewels too precious for plastic. Then I set off home, drunk with the possibilities of life. What was it Eliot said? The hair in my nostrils grows white. My penis stretches, yawns, rolls over into its pillow, desire courses through me like flickering light in a storm. A mosquito bows its head at the well of my pale blood and hesitates. My joints sing, a cappella, my empty palms ache. Outside the window, sparrows congregate at the feeder like old women on the stoops of Brooklyn when I was a boy, noisy and vivid in their scarves, their arms filled with the absence of their children, lost in the war or to illnesses now mercifully extinct. These birds regard me as the women might, with neither contempt nor indifference, they know I feed them, asking nothing in return, and their gratitude pulses in the blue sheen of their throats, but remains unspoken. When I open the door, they explode like gravel sprayed from the tires of a speeding car. Their song thrums in the absence their shape carves into the fragrant air, a reproach, a warning. |