Claire Keyes
BOSQUE DEL APACHE, NEW MEXICO For the Bosque del Apache we've lugged scopes and binoculars to this most beautiful of wildlife sanctuaries, its backdrop of mountains drifting towards the sky. We drive alongside canals dug to keep fertile the rich farmland. If we're lucky, we'll see snow geese wintering. On his tribal lands, it's hard not to think about Geronimo, captured, finally, and shipped off to Florida. Resisting to the end, he died of pneumonia, the old man's disease. We like to remember him fierce. His usurpers, the ranchers, made their mark for a while. The government made recompense: these acres, this sanctuary open to nothing but sky and birds: cormorants, pin-tail ducks, marsh hawks. The harvest over, they feast on its remnants of corn, wheat berries, alfalfa. We're content to do nothing but sit and watch snow geese preen and court. Mainly they feed, their trip from the Arctic much longer than ours to get here, more arduous and wired into their brains for millennia. When a sharp-shinned hawk ventures too close, the snow geese lift off and we follow them as the flock shapes and reshapes itself. No one gets left behind. THE SOUNDS LONELINESS MAKES Not that he needed to tell us he was lonely. Not that he wasn't welcome to use the bedroom that was my brother's grown up, enlisted. But those nights I'd lie awake hearing Uncle Red's footsteps as he climbed the stairs. Was he drunk again? Then the thud of his shoes as he dropped them, the fierce wooziness of his snores. Childless, he had been fatherly when all we knew of father was distance. Giving when all we knew was stricture. Summers, he drove us to the beach, one arm on the wheel, the other edging towards Aunt Jo's knee, stopping for the hair of the dog that bit him. So I never said anything of my fear that he would push open my door, fall on top of my bed. Thinking, I don't know what. To protect him? To protect myself from saying? Then he didn't come home. One night, two: found in an alley in the South End. My father identified his body at the morgue. No sounds when he got home. Just the tightness of his jaw, a look that said, Don't ask. THE BLUE TENT Two miles up from the nearest road, we collapse at the edge of a lake, lungs and hearts stretched almost to the breaking, the trail steeper and more rough than we'd imagined. Resting, we trade theories about the audacious blue tent being dismantled on the opposite shore. Clouds bloom up white and friendly while we watch two figures move toward us, backpacks rising above their heads, their tent scrunched and stuffed. At first, they are simply color: a slow red shirt, beige shorts. As they move closer, we see a man and a woman. He walks with two canes, stops often, lurches ahead. She pauses with him, as if the journey were old and eternal and they were two Buddhist monks, no destination in mind, no haste, just the journey and its conversations about the nature of time, the pleasures of dawn and morning coffee on the mountain. Descending, they float over boulders and stout blow-downs as if the angels of the trail were on alert making cushions for their boots, the gentleman of two canes waving them away as he digs in and vaults from precipice to precipice, his mate running to catch up. CLAIRE KEYES is the author of two poetry collections: The Question of Rapture and the chapbook, Rising and Falling. Her poems and reviews have appeared most recently in Literary Bohemian, Red-Headed Stepchild, Oberon, Crab Orchard Review and Blackbird. She lives in Marblehead, Massachusetts and is Professor Emerita at Salem State University.
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